By Rita Barnard
Apartheid and Beyond deals trenchant, traditionally delicate readings of writings via Coetzee, Gordimer, Fugard, Tlali, Dike, Magona, and Mda, concentrating on the intimate dating among position, subjectivity, and literary shape. It additionally explores the way in which apartheid functioned in its daily operations as a geographical method of regulate, exerting its energy via such spatial mechanisms as residential segregation, bantustans, passes, and prisons. during the learn, Rita Barnard offers ancient context by means of highlighting key occasions resembling colonial profession, the production of black townships, migration, pressured removals, the emergence of casual settlements, and the slow integration of white towns. Apartheid and Beyond is either an leading edge account of an enormous physique of politically inflected literature and an innovative mirrored image at the socio-spatial elements of the transition from apartheid to democracy.
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Additional info for Apartheid and Beyond: South African Writers and the Politics of Place
Her association of the narrating self with the hermit crab, scuttling from shell to shell, or code to code, or signifier to signifier, is in many ways compelling and accurate. 20 It is true, of course, that generic instability is perhaps the most telling characteristic of self-reflexive fiction. Coetzee himself notes that what clearly distinguishes the postmodern text from the realist novels of, say, Daniel Defoe or Thomas Hardy, is that Moll Flanders and Jude never pause to ponder what kind of text it is they seem to be inhabiting (DP ).
It avoids, moreover, the vague appeal to Dream Topographies personal experience that inevitably adheres to the notion of a “sense of place,” and underscores instead the importance of discursive codes and cultural maps. They are, if you will, the maps—the ideological blueprints—this genre has projected on the land. Both of these projections are already sketched out in Coetzee’s review of Ross Devenish and Athol Fugard’s The Guest, a film based on a painful period in the life of the Afrikaans poet and morphine addict Eugène Marais, during which he was ordered by his doctor to go cold turkey on a remote Transvaal farm.
Does the poet’s inevitable failure to hear the language of the stones “stand for, or stand in the place of, another failure, by no means inevitable: a failure to imagine a peopled landscape . . ” (WW ). Still more pointedly: “Was there no time before the time of the forefathers, and whose was the land then? Do white hands truly pick the fruit, reap the grain, milk the cows, shear the sheep in these bucolic retreats? ” (WW ). These questions reveal the fundamental blindness of the white man’s dream about the land: its “blindness to the colour black” (WW ).
Apartheid and Beyond: South African Writers and the Politics of Place by Rita Barnard